Either/or choices
The either/or* argument is something we'll have to get used to over the next few weeks, as the election rumbles into town - your town, my town, every single crummy town around. You can only have one thing or another. There is no other choice, so this is what you're stuck with.
People use the argument when talking about a finite pot of money from which things must be paid. Why don't we just scrap Trident and use the money to pay for better schools and hospitals? Or, alternatively, why don't we just sack loads of public sector workers and then we can afford lovely tax cuts for the poor hard-working private sector people who are so hard done by in comparison? The trouble is, I think, when you open the door to one of those either/or arguments, you validate the other; and then it's simply a question of whose MPs get over the finishing line first, rather than what's actually best.
I might not like replenishing Trident, for example, but I imagine a lot of the billions of pounds quoted for its installation will come in the form of wages to keep people in gainful employment, often in deprived areas. To argue against it in mere cost terms is a detriment to the genuine counter-arguments in terms of whether it's really needed, whether it's an effective deterrent to the modern threats, and so on. And you might not like public sector workers, but you have to bear in mind that a third of that money quoted for their wages goes straight back in tax and national insurance as well, so arguing against them in pure cost terms isn't the whole story either.
Sometimes it's not so simple to just say you can make a saving by doing something; you have to attack it with a series of arguments beyond cost. A lot of things cost money, and they're good or even reasonable value for money. Just saying you could save X, Y and Z is enough, and it could be harmful to your cause.
The either/or choice is also an argument that people are using when trying to save BBC 6Music and, to a lesser extent, the BBC Asian Network radio station and the BBC website. It's the idea that if you, for example, simply threw Chris Moyles under a bus, or blew up BBC3, you'd have the funds available to keep everything ticking over. You'll have heard a lot of these arguments over the past few days after the news that the radio stations could be scrapped.
This kind of negotiation is a bad idea, I think. Firstly, it is telling the BBC that you don't mind them making cuts - you are simply disagreeing with the cuts they are making. That automatically assumes that there's a need for cuts to be made. If you think there is, then fine, but you need to give business reasons. It's not true, for example, to say that all of the BBC's competitors have suffered throughout the recession - Sky has taken on many more subscribers. So is it really the time when Auntie must cut back operations in order to help her beleaguered commercial rivals? Or is it just that simplistic "It's a recession, the public sector must suffer" attitude that I keep hearing?
Don't get me wrong. The BBC is, I'm pretty sure, an organisation that could do with a bit of trimming here and there, as most big corporations are. A lot of us, in the private and public sector, work in offices where a man walking in with a shotgun and massacring a quarter of the workforce - so long as it was the quarter of the workforce who happened to be the ones who don't do a lot of work - wouldn't make a material difference to output whatsoever. But it's not that kind of either/or, either. It's easy to imagine you could just come in and sack a few people, and that would improve things; but that would assume that (a) management consultants know what they're doing and (b) that the sackings would justify the utterly enormous fees those consultants would command. It's not always the case.
A better argument, I think, and one that is happily being made in this instance, I should add, would be to look at the positive output of Asian Network and 6Music and the BBC website - the things they do that aren't done anywhere else and wouldn't be picked up by commercial rivals. That makes them unique products which should be supported by the licence fee. Sure, you could behead Chris Evans and pay for several journalists, but that's not the point; the point is that you need to be making a case for Chris Evans and the journalists remaining intact. You need to make the case why 6Music and the Asian Network and the quarter of the BBC website under threat are doing things that are brilliant and shiny, and commercially irreplaceable. That's the battleground, not saying that someone somewhere else should get the chop.
Which isn't to say that I listen to 6Music or Asian Network, because I don't, and I do happen to think that Chris Moyles is an abomination who makes me cry through the sheer misery of it all whenever I stray across his radio programme in the morning. But that's not the point. I still think they should exist, and they have a right to exist, and each one is vital. I can't stand BBC3, either, and some of the programmes on it seem to me like they were made as a joke, but then I only have 30 days left before my 35th birthday, and I'm not allowed to watch it after that, anyway. I may think BBC3 is shit, but that doesn't mean I don't think it should exist, if it's doing stuff that other people like. It's not an either/or choice, and it's not about what I like or dislike.
Having said all of which, and I'm going to be really hypocritical now, if the BBC really is going to take a machete to its website, can I make a personal plea. While I think it's been a delightful experiment to allow some of the most noxious arseholes in Britain to have a blank canvas on which to vomit up last night's pease pudding, if you're going to start anywhere, could you please start with BBC Have Your Say? It doesn't serve any purpose other than to make prejudice, kneejerk unpleasantness, xenophobia and the BNP seem more popular than they really are, and I'm fairly sure that wasn't what people had in mind when it was set up. All it's done is made people learn how to be slightly more careful when expressing their racism.
In that instance, I would like there to be an either/or choice, and I would like the choice to be for HYS to be chucked in the bin. Keep all the moderators on in jobs, mind - they have done such sterling service in sieving out the hatefulness that they should be given medals really - but that's the only place where I would really love my licence fee not to be spent on something. Just my own personal prejudice, you understand, and I know that in reality all the great stuff on the BBC website will go, and HYS will remain like a stumpy boil, but I am asking all the same. Go on, BBC, I love you really.
* It's funny, but when I write 'either/or' I use a slash, which, come to think of it, means 'and-or', so in effect I'm saying 'either and or or', which isn't especially beautiful. I think that's when little symbols like slashes can come to your rescue a bit.
Related posts:

March 1st, 2010 - 12:32
if you, for example, simply threw Chris Moyles under a bus
You’d need a fucking big bus….
March 1st, 2010 - 14:26
I agree with you on all but a single point; BBC 3 may be shite in your opinion, but it’s also shite in everyone else’s opinion. I suppose it isn’t beyond saving, but I seem to remember at least three major rehauls of the station in an attempt to increase the quality.
6 Music, however, is in my humble opinion the best radio station in the country. Day time Radio 1 is taken up by air headed tits who couldn’t find good music with a map, with snippets of quality in the sunless hours, while 6 Music doesn’t have a single presenter who doesn’t know their stuff, and provides an incredible range of music every god damn day. Oh, apart from George Lamb.
Er…sorry, I didn’t mean to go on. It just pisses me off that the BBC is bending over to let the commercial sector fuck them yet again.
March 1st, 2010 - 16:30
I get the feeling someone will yell at me for this but, when you look at the figures, the BBC is good value for money. The license fee stands at £145.50, which works out at just under 40p a day. That’s cheaper than a lot of newspapers, and the BBC offer a wider and better service.
I was going to leap to the defence of BBC3 here, but I realised the only thing I watch on the channel is Being Human. Then again, I am perfectly willing to subject myself to whatever toss gets made on BBC3 if it means Being Human stays on.
March 1st, 2010 - 16:44
I hope no-one does. This isn’t BBC Have Your Say, you know.
March 1st, 2010 - 21:06
This is quite some coincidence:
http://www.guardian.co.uk/news/datablog/2010/mar/01/information-beautiful-bbc-o-gram-spending
March 1st, 2010 - 22:00
But – wait a second. I might be being stupid here and missing the point, but aren’t you in danger of being so balanced that you talk yourself into the position that nothing should be got rid of, ever? I mean, there are very few things that have no merit whatsoever, but sometimes there isn’t money for everything, especially if you want to commission new stuff or create new channels — sometimes, in a pinch, things do have to be cut. And as Kristopher says, some things are just bad, and deserve to be cut – even if there was an endless supply of money to pay for fountains of crap like Moyles, I would still think he had no business being on the radio.
I accept the broader point that the either/or choice is frequently spurious, and you should argue for something based on its merits first and foremost, rather than the fact that something else might be shoddier. But if we only praised the things we like and didn’t call out the things we think are shit, then everything would be given a totally lopsided appraisal.
And there’s nothing that says the BBC has to listen to me when I say they should sack Moyles and give his salary to more deserving people or projects – but why shouldn’t I be able to make the argument and call out the things that I think are terrible, as well as support the things I like? It doesn’t have to be about money – if you think HYS is an abomination and should be got rid of, there’s no reason to feel guilty for saying so is there? Cos the time and energy that’s going into writing and moderating HYS could be going into something else, something that doesn’t bring all the trolls on the site to a screaming, howling frenzy of rage.
So I suppose that it is about either/or – either HYS, or something else, something that might be better. Perhaps it would be great if there was unlimited time and space and money for everything, but even if there was, I’d still think that some of those things were a waste of those resources. And when there isn’t time and space and money for everything, I reckon it’s ok to question it when someone talentless is given a primetime breakfast slot and a big fat salary. For example.
March 2nd, 2010 - 09:56
That’s all very well argued. I think I should have made it clearer it’s not so easy just to ‘get rid of Chris Moyles’, for example – you’d have to pay off his contract, which exists and which is paying him several million pounds a year. So like when you’re sacking a football manager, you end up paying an awful lot of money just to make a fresh start. If we think that’s a waste of money, it’s more worthwhile looking at how the decision was arrived at to pay him so much and how it might be avoided in the future, for example.
March 2nd, 2010 - 21:41
That’s true enough – I wasn’t suggesting we could just flick Moyles away like a crusty scab and then everything would be lovely. I was just bothered by the notion that all of it – 6Music, Moyles, BBC3, Asian Network, anything you like – is vital, cos I don’t think that’s the case. You can argue about how decisions are made about these things – whether the criteria are financial, or based on popularity, or cultural worth (if that can even be gauged) or how diverse the sum total of the BBC’s output is. But everything ought to be questioned, because everything ought to be there because it’s doing something worthwhile and because its positives outweigh the areas where it might fall short.
I appreciate the idea that enough knives are out for the BBC without it performing some kind of mea culpa and slashing at itself, but actually I think any organisation worth its salt ought to be taking a long hard look at itself on a regular basis (not just during a recession or when people in the press are whinging about it) and asking if all its constituent parts are worthwhile. I don’t think anything should get a bye – nothing should be presumed to be vital.
That way, when some journalist (or politician, or whoever) demands to know why we pay our licence fee or why a presenter is worth keeping or whether a programme justifies its budget, there’ll be an answer, and if they do decide to make a cut, they make it on their terms, rather than being forced to satisfy some kind of knee-jerk belt-tightening impulse and throwing the Asian Network to the wolves in order to demonstrate BBC bean-counting in action.
I don’t see anything wrong with the BBC deciding it might need to cut some stuff. I’m just mad because they seem to be doing it for utterly the wrong reasons.
March 2nd, 2010 - 16:56
BBC3 viewers don’t deserve to be entertained: they’re beneath flies in my hierarchy of being.
March 3rd, 2010 - 09:16
You say, let’s ditch HYS, but then what would the “Speak You’re Branes” site do with it’s day? http://ifyoulikeitsomuchwhydontyougolivethere.com/
Not so easy is it?